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Giorgio Armani in movie history: Legendary films forever linked to his designs

Giorgio Armani in movie history: Legendary films forever linked to his designs Armani costumes became part of iconic screen images (collage: RBC-Ukraine)

The death of Giorgio Armani saddened not only fans of high fashion, as he was also known as a person who left a mark in cinema. His costumes became part of iconic images and helped characters conquer the screen.

Which films entered history forever not only thanks to their plots but also thanks to Armani's style?

American Gigolo

The film with Richard Gere became a real breakthrough for Armani. His suits with soft tailoring and restrained elegance made the character an ideal of a new male style. After this premiere, the name Giorgio Armani became established in Hollywood and turned into a symbol of modern fashion.

The Untouchables

Brian De Palma's crime drama about the fight against the mafia during Prohibition stood out not only for its strong plot but also for Armani's costumes. His approach allowed for a combination of 1930s authenticity with modern elegance, making the characters look charismatic and convincing.

Gattaca

In Andrew Niccol's science fiction film, Armani created a complete visual style. His strict suits emphasized the atmosphere of the future — a world ruled by control and perfection. Restrained silhouettes and impeccable tailoring made the characters' images as convincing as possible.

Hannibal

In the sequel to The Silence of the Lambs, Armani also contributed to creating the looks. He worked on part of the costumes, including for Anthony Hopkins, to emphasize the intelligence and dangerous charm of his character. Not all of the film's characters were dressed by Armani, but his style is immediately recognizable.

Casino Royale

In Daniel Craig's debut film as James Bond, the agent's suits were created by the Brioni brand, but Armani also took part in the project. His pieces appeared on secondary characters and in several scenes, adding luxury and modernity. Thus, not all of the film’s wardrobe was by Giorgio Armani, but his contribution to the style of the picture is obvious.